The Corner of Oblivion, Hopper Style

In this urban scene influenced by Hopper, a solitary man stands in front of a deep red wall that takes up nearly the entire composition. Daylight casts sharp shadows, outlining the edges of the building and accentuating the figure’s silhouette, who appears motionless, lost in thought. The composition is minimalist yet powerful: few elements, ample negative space, and an atmosphere of contemplation.